Evoke
by Nic Quantock-Holmes
LOCATION: MELBOURNE, AUSTRALIA
While the bi-annual chemical fight
against Melbourne’s most persistent weedy ecologies plays out a similar
spatially transformative response is born out of this quasi-legal theatre of
paradoxes. The degraded allotment became self-regulating under the consistent
presence and perceived social responsibility of a small group of us electing to
build, maintain and act as part-time custodians of such an overlooked urban margin. With a
plethora of construction ready materials being ignorantly dumped across the
site, a determined crew of 6 on a good day and 2 on a bad, embarked on what
would become Melbourne’s newest most nuanced DIY skatepark. Or so we thought.
Five months on, it’s time to reflect. Cars and trains still whizz past at the same speed they used to, weeds still grow as quick as you can say ‘Roundup’ and although there aren’t as many skateboarders, our ‘1-Tonne’ planter seat still exists. The woody-meadow inspired medley of plants are flourishing within, and bees have been sited collecting nectar from the exceptionally productive Alyogyne huegelii; the sites resident native hibiscus. We know the seat must one day go, medium to high density development is inbound, we’ve seen it happening within the confines of the Upfield trainline corridor already. However, there’s an argument here for the value of indeterminant land use and activation. If not us, then who? and if not skateboarding, then what? How can these microcosms of human expression be best harnessed to evoke organic spatial and social intent within this resilient city. In the society of spectacle, what will be traced of our collective memories and improvised reflections of necessity in the temporal urban margin?
(View the film here)